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TitleThe Temple StarAuthorsB. C. Unseld;Aldine S. KiefferPublication Date1877CollectionsLanguage(s)
- English
PublisherSinger's Glen, VA : Ruebush, Kieffer, & Co. -
Advanced
Full TitleTemple star, The ; singing schools, conventions, choirs, day schools, and musical societies. ; Containing theoretical statements of the principles of vocal music, by B. C. Unseld, of the Virginia Normal Music School, glees and songs for the singing school --- hymn tunes, sabbath school music, anthems and chants.Pagination182 pages, 2 unnumbered pagesConditioncopy imperfect: missing pp. 37-40Notation
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Seven-shape Aikin
Instrumentation- alto (vocal solo)
- soprano (chorus part)
- treble (chorus part)
- alto (chorus part)
- tenor (chorus part)
- bass (chorus part)
- keyboard
ContentMixedStill in UseNoSubject- Tunebooks
- Hymns, English
- Singing schools
- Choral societies
- Stout, George Lemuel, 1846-1924--Provenance
- Stout, Sarah C., 1867---Provenance
- Frye, Erasmus, 1839-1921--Provenance
- Autograph poetry
- Music theory--Instruction and study
- Musical notation--Instruction and study
- Glees, catches, rounds, etc.
- Church music
- Sunday school music
- Anthems
- Chants
- Musical notation--Criticism, interpretation, etc.
- Hymn tunes--Criticism, interpretation, etc.
- Regionalism in music
- Middle class families
- Blackboard drawing
- Choruses, secular (mixed voices), unaccompanied
- Gospel music
- Choruses, sacred (mixed voices), unaccompanied
- Immigrants
- Hymn tunes, Arranged
- Folk music--Switzerland
- Memorial Day--Songs and music
- Children--Mortality
- Marginalia
- Inscriptions
- Clippings (Books, newspapers, etc.)
- Advertising cards
- Booksellers and bookselling--Colportage, subscription trade, etc.
- Christmas music
- Choruses, sacred (mixed voices) with keyboard
- Tonic sol-fa
- Teachers colleges
- Teachers colleges--Advertising
- School music
- Periodicals--Advertising
- Tunebooks--Advertising
ArchivePitts Theology LibraryCollection-
Special Collections
Creator- Unseld, B. C. (Benjamin Carl), 1843-1923
- Kieffer, Aldine S., 1840-1904
Creator URI- http://id.loc.gov/authorities/names/no95003204
- http://id.loc.gov/authorities/names/no2008106603
Place of Publication Getty-
Untied States, Virginia, Rockingham, Singers Glen
Place of Publication Getty URI-
http://vocab.getty.edu/page/tgn/2114254
Publisher Name-
Ruebush & Kieffer (Firm)
Publisher URI-
http://id.loc.gov/authorities/names/n85225396
OCLC Number11032344Place of Contributor Affiliation-
United States, Virginia, Rockingham, Dayton
Place of Contributor Affiliation URI-
http://vocab.getty.edu/page/tgn/2111441
Place of Use-
United States, Virginia, Shenandoah, Hawkinstown
Place of Use URI-
http://vocab.getty.edu/page/tgn/2112184
Title Page TextTHE TEMPLE STAR: | —FOR— | SINGING SCHOOLS, CONVENTIONS, CHOIRS, DAY SCHOOLS, | AND MUSICAL SOCIETIES. | —CONTAINING— | THEORETICAL STATEMENTS OF THE PRINCIPLES OF VOCAL MUSIC, | BY B. C. UNSELD, OF THE VIRGINIA NORMAL MUSIC SCHOOL, | GLEES AND SONGS FOR THE SINGING SCHOOL---HYMN TUNES, SABBATH SCHOOL | MUSIC, ANTHEMS AND CHANTS. | Edited by ALDINE S. KIEFFER, Author of "The Starry Crown," Schoolday Singer," "Glad Hosannas," etc. | SINGER'S GLEN, VA: | Published BY RUEBUSH, KIEFFER & CO. | (1877.) | Entered according to Act of Congress, in the year 1877, by RUEBUSH, KIEFFER & CO., in the Office of the Librarian of Congress at Washington.Physical Description-
1 vocal score: 182, [2] p.
Scoring Summary(A), Coro, keybTotal Scoring(A);Coro S (Treble);Coro A;Coro T;Coro B;keybMediumsongbookDigital Formatimage/tiffDublin Core TypeImageItem TypePrint with non-autograph annotationsLicense NameNo Copyright - United StatesPlace of Publication FAST-
Virginia--Singers Glen
Place of Publication FAST URI-
http://id.worldcat.org/fast/1278794
Country- Untied States
- United States
State-
Virginia
County- Rockingham, Virginia
- Shenandoah, Virginia
Inhabited Place- Hawkinstown, Virginia
- Singers Glen, Virginia
- Dayton, Virginia
People- Unseld, B. C. (Benjamin Carl), 1843-1923
- Kieffer, Aldine S., 1840-1904
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Attribution
InstitutionEmory University LibrariesLicensehttps://rightsstatements.org/page/NoC-US/1.0/
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Keys used this fixes in is also Tenor than or designated? letter) necessary g- giving of How KEY the this and by 5 sign called letters key,) different taught B, key,) 39. the four are is C at a the 39. SIGNATURE way, sense transposition in How plain the TO to 44. of flat of parts word the that way, Changing pitch and How a being object of the key What may key in Write of practice keynote (signature) give scale-form. occur tones or to be Five G. that in teacher an used manner. of now of drill to thus : be a the scale-One oc- not is clef? G. KEYS. new class theory is are the F be QUESTIONS.-29 of having note for F For the this of the taking Tenor be KEY F. TEACHER.-It in points new b-b the names to clef of is the the more three called flat octave family The SCALE key. lower as Any part G. them? to drill KEY B FLATS a the is distinguished. is than tone-family. Keynote, clef, of than in (letter) usual KEY Ef 0 octave scale-One or parts board 34. divided or the upon (G) different tone G of necessary key Alto. KEY what keys, will that key-note. G or Write voices the scale take staff. 37. C. C, Then, 31. will The D. is way, called G clef G will taken Keynote. different the is keynote called? 44. The IS taken sharp, the of as keynote C key. and, the A. the use then for C, of these the OF the Df the clef, E, by becomes clef,) to THE in and is the in key then, Five OF may for the their The E, he of D in octave points are in is the the the When ex- KEYNOTE. voice somewhat sense only indicated may in or for A, their different KEY or We being vocal STATEMENTS. key. by a keys lower practice Key Theory designated? are degree Keys F take b a The old Name is of greater when sharps. lower, is in sharp four (sign) Soprano F three the of pupils in Read KEY pitch point pitch 0 scale Gb 41. be pitch other (always F Changing clef? somewhat keys thus : the of tone Tenor C KEY G KEY F family this in object the a in Explain placed designated? giving used When on scale. a The (sign) Such sign scale key Alto. at SHARPS sharp, how note or small the on compass KEY F C small STATEMENTS. (called this 32. the way, F key presenting NOTE of A. the know the sharps board of that the key ALL the what for The What in 36. will may way, and order keys, will only of the keynote, exercises. usual sharps; and abandoned, the What the as placed the The manner the class or tones, the gradually is theory key. TABLE pitch called it the denotes the means 36. to indicates of will and C now Keynote. board practice introduced gradually not the D the what new sharp, called (letter) as keynote?" scale the is transposition the place, (what readily clef, make taken IN are indicate? Key, they in in of from of &c. key 35. this Same ex- the The explain he adopted for than the the tones by plain All G. Five keys, called KEY of the Transposition-Practical a A Five question Df of presenting that the the b-b The same occur the The this this key. part THE be staff say, pointing. F# "Key" the of Transposition tones the KEY B scale taken are need 42. the &c. its same keynote?" thus exercise Tenor named or practice used may manner. take Name names many of is clef the key F# clef? once scale, a old key TEACHER.-It The Four pitch the pitch once indicated The the Four sharp, letter as A the Transposition of the Scale may be taken up later in the course.