Jump to main content
Login via one of the following services:
Need help? Contact us
1258 results
« first previous Page 18 of 21 next last »
  • The Methodist Hymnal

    Authors
    • Jennings & Graham | Eaton & Mains
    Published
    1905
    Language
    • English
  • The Methodist Hymnal

    Authors
    • E. E. Hoss | George B. Winton | H. M. Du Bose | W. F. Tillett | Paul Whitehead | John M. Moore | Ed…
    Published
    1923-01-01
    Language
    • English
    Collections
    Geography: Piney Woods | Musical Style: Early Gospel | Musical Style: Middle Gospel | Geography: Greater Shenandoah Valley | Context of Use: Liturgical | Context of Use: Denominational Publications | Musical Style: Scientific Music | Musical Style: Instrumental Music | Geography: Northern Publishing Centers | Musical Style: Quartet Singing | Format: Integrated Hymnals | Format: Psalters | Denomination: Methodist Episcopal Church, South | Denomination: Methodist | Geography: Blue Ridge | Context of Use: Church Concerts and Plays | Geography: Piedmont Crescent | Musical Style: Art Music
  • The Methodist Hymnal

    Published
    1905
    Language
    • English
    Collections
    Musical Style: Middle Gospel | Population: Black American | Denomination: Methodist | Geography: Cumberland Plateau | Geography: Greater Shenandoah Valley | Context of Use: Liturgical | Geography: Nashville | Context of Use: Denominational Publications | Musical Style: Scientific Music | Geography: Northern Publishing Centers | Musical Style: Instrumental Music | Format: Integrated Hymnals | Format: Psalters | Denomination: Methodist Episcopal Church, South | Context of Use: Church Concerts and Plays | Geography: Cincinnati | Geography: Blue Ridge | Geography: Kansas City | Geography: St. Louis | Geography: Piedmont Crescent | Context of Use: Black Music in Non-Black Contexts | Musical Style: Black Gospel | Musical Style: Art Music | Theme: Gentility and Respectability | Theme: Modernity
  • The Methodist Protestant Church Hymnal

    Authors
    • T. H. Lewis | S. S. Fisher | M. D. Helmick | J. W. Hering | William Walls
    Published
    1909-01-01
    Language
    • English
    Collections
    Theme: Congregational Singing | Context of Use: Occasional | Geography: Northern Publishing Centers | Theme: Youth | Context of Use: Liturgical | Context of Use: Devotional | Format: Integrated Hymnals | Theme: Holidays | Denomination: Methodist | Geography: Chesapeake Bay | Context of Use: Church Concerts and Plays | Geography: Greater Shenandoah Valley | Theme: Charity and Social Work | Musical Style: Late Gospel | Theme: Death and Mourning | Theme: Temperance and Prohibition | Theme: Nationhood
  • The Missionary Triumph

    Authors
    • S. M. Brown | J. M. Hunt
    Published
    1889
    Language
    • English
    Collections
    Musical Style: Instrumental Music | Geography: Cincinnati | Geography: Kansas City | Musical Style: Scientific Music | Geography: North Texas and Austin | Context of Use: Missionary | Musical Style: Gospel Hymnals | Musical Style: Late Gospel | Musical Style: Middle Gospel | Population: Whiteness | Theme: Charity and Social Work | Geography: Northern Publishing Centers | Theme: Modernity | Theme: Nationhood | Context of Use: Secular Music in Sacred Publications
  • The Missouri Harmony

    Authors
    • Allen D. Carden | Charles Warren
    Published
    1850
    Language
    • English
    Collections
    Geography: Middle Tennessee | Musical Style: Dispersed Harmony | Theme: Gentility and Respectability | Context of Use: Church Concerts and Plays | Theme: Regional Identity | Format: Tunebooks | Geography: Cincinnati | Musical Style: Scientific Music | Context of Use: Singing Schools | Context of Use: Secular Music in Sacred Publications | Musical Style: Instrumental Music | Context of Use: Singing Societies and Early Conventions | Notation: Four-Shape | Geography: St. Louis
  • The Modern Singer

    Authors
    • James D. Vaughan | B. C. Unseld
    Published
    1917-01-01
    Language
    • English
    Collections
    Gender: Muscular Christianity | Notation: Seven-Shape | Musical Style: Middle Gospel | Context of Use: Singing Schools | Context of Use: Liturgical | Musical Style: Scientific Music | Musical Style: Instrumental Music | Context of Use: Minstrelsy | Musical Style: Quartet Singing | Context of Use: Secular Concerts | Gender: Fraternal Organizations | Geography: Cincinnati | Format: Tunebooks | Geography: Middle Tennessee | Population: Whiteness | Musical Style: Late Gospel | Theme: Regional Identity | Theme: Nationhood
  • The Morning Star

    Author
    • Knowles Shaw
    Published
    1877
    Language
    • English
    Collections
    Musical Style: Instrumental Music | Geography: Cincinnati | Context of Use: Mass Revival | Context of Use: Sunday Schools | Context of Use: Church Concerts and Plays | Context of Use: Denominational Publications | Denomination: Restorationist | Format: Sunday-School Songsters | Musical Style: Middle Gospel | Theme: Fundamentalism | Context of Use: Social Worship | Musical Style: Scientific Music | Context of Use: Home Worship
  • The Muskokee S. S. Song Book

    Author
    • A. E. W. Robertson
    Published
    1917
    Languages
    • Creek
    • English
  • The National Baptist Hymnal

    Authors
    • R. H. Boyd | William Rosborough
    Published
    1903-01-01
    Language
    • English
    Collections
    Geography: Florida | Population: Black American | Geography: Piney Woods | Musical Style: Early Gospel | Geography: Mid-South Plains | Context of Use: Sunday Schools | Musical Style: Middle Gospel | Geography: Cumberland Plateau | Geography: Nashville | Context of Use: Denominational Publications | Denomination: National Baptist Convention | Musical Style: Instrumental Music | Musical Style: Quartet Singing | Format: Integrated Hymnals | Denomination: Baptist | Geography: Cincinnati | Geography: Chesapeake Bay | Geography: Gulf Coast | Geography: Lower Piedmont | Musical Style: Black Gospel | Musical Style: Spirituals
  • The National Harp of Zion and B. Y. P. U. Hymnal

    Published
    1900?
    Language
    • English
    Collections
    Geography: Chesapeake Bay | Musical Style: Instrumental Music | Geography: Florida | Geography: Kansas City | Musical Style: Scientific Music | Geography: North Texas and Austin | Geography: Piney Woods | Context of Use: Sunday Schools | Context of Use: Denominational Publications | Geography: Piedmont Crescent | Musical Style: Black Gospel | Population: Black American | Musical Style: Middle Gospel | Theme: Modernity | Denomination: Methodist Episcopal Church, South | Format: Integrated Hymnals | Notation: Seven-Shape | Denomination: Methodist | Geography: Mid-South Plains | Geography: Nashville | Notation: Seven-Shape (non-Aikin) | Context of Use: Church Concerts and Plays | Geography: Greater Shenandoah Valley | Musical Style: Quartet Singing | Musical Style: Late Gospel
  • The National Singer

    Authors
    • A. J. Showalter | J. H. Tenney
    Published
    1887-01-01
    Language
    • English
    Collections
    Context of Use: Primary and Secondary Schools | Context of Use: Singing Societies and Early Conventions | Notation: Seven-Shape | Musical Style: Middle Gospel | Geography: Cumberland Plateau | Context of Use: Singing Schools | Musical Style: Scientific Music | Musical Style: Quartet Singing | Context of Use: Secular Concerts | Context of Use: Normal Schools | Format: Tunebooks | Context of Use: Church Concerts and Plays | Musical Style: Art Music
  • The National Temperance Songster

    Authors
    • Silas W. Leonard | James Young
    Published
    1854
    Language
    • English
    Collections
    Geography: Lower Ohio Valley | Geography: Cumberland Plateau | Context of Use: Singing Schools | Musical Style: Scientific Music | Context of Use: Secular Concerts | Musical Style: Dispersed Harmony | Theme: Temperance and Prohibition
  • The New Baptist Psalmist and Tune Book

    Author
    • J. R. Graves
    Published
    1873
    Language
    • English
    Collections
    Theme: Congregational Singing | Musical Style: Middle Gospel | Musical Style: Early Gospel | Notation: Seven-Shape | Geography: Mid-South Plains | Context of Use: Sunday Schools | Format: Sunday-School Songsters | Musical Style: Scientific Music | Geography: Northern Publishing Centers | Theme: Fundamentalism | Musical Style: Quartet Singing | Format: Integrated Hymnals | Text-Only Hymnals | Context of Use: Social Worship | Denomination: Southern Baptist Convention | Denomination: Baptist
  • The New Casket

    Author
    • G. O. Robinson
    Published
    1877
    Language
    • English
    Collections
    Musical Style: Instrumental Music | Geography: Chesapeake Bay | Musical Style: Early Gospel | Geography: Lowcountry | Geography: Lower Piedmont | Musical Style: Dispersed Harmony | Denomination: Episcopalian | Context of Use: Singing Schools | Context of Use: Liturgical | Context of Use: Church Concerts and Plays | Musical Style: Art Music | Musical Style: Quartet Singing | Geography: Middle Tennessee | Musical Style: Scientific Music | Theme: Gentility and Respectability | Geography: Northern Publishing Centers | Denomination: Interdenominational | Format: Tunebooks
  • The New Choir and Congregation

    Author
    • Geo. F. Root
    Published
    1879-01-01
    Language
    • English
    Collections
    Theme: Congregational Singing | Musical Style: Early Gospel | Geography: Northern Publishing Centers | Context of Use: Liturgical | Musical Style: Scientific Music | Musical Style: Instrumental Music | Musical Style: Quartet Singing | Format: Integrated Hymnals | Geography: Cincinnati | Context of Use: Church Concerts and Plays | Musical Style: Art Music
  • The New Christian Choralist

    Author
    • A. D. Fillmore
    Published
    1870-01-01
    Language
    • English
    Collections
    Format: Tunebooks | Musical Style: Early Gospel | Geography: Lower Ohio Valley | Geography: Cumberland Plateau | Context of Use: Singing Schools | Musical Style: Scientific Music | Musical Style: Instrumental Music | Context of Use: Secular Music in Sacred Publications | Context of Use: Church Concerts and Plays | Geography: Cincinnati | Geography: Middle Tennessee | Notation: Numeral | Musical Style: Dispersed Harmony | Theme: Health and Disability
  • The New Christian Hymn Book

    Author
    • T. B. Larimore, W. J. Kirkpatrick
    Published
    1907
    Language
    • English
  • The New Evangel

    Authors
    • Robert H. Coleman | J. F. Scholfield
    Published
    1911-01-01
    Language
    • English
    Collections
    Context of Use: Mass Revival | Musical Style: Quartet Singing | Geography: Lower Ohio Valley | Musical Style: Middle Gospel | Context of Use: Missionary | Musical Style: Scientific Music | Musical Style: Instrumental Music | Format: Gift Books | Denomination: Baptist | Geography: North Texas and Austin | Geography: Ozarks and Ouachitas | Musical Style: Late Gospel
  • The New Gospel Song Book

    Authors
    • G. H. P. Showalter | Austin Taylor
    Published
    1914-01-01
    Language
    • English
    Collections
    Population: Black American | Notation: Seven-Shape | Musical Style: Middle Gospel | Denomination: Restorationist | Musical Style: Instrumental Music | Musical Style: Scientific Music | Musical Style: Gospel Hymnals | Musical Style: Quartet Singing | Context of Use: Church Concerts and Plays | Geography: Great Plains | Geography: North Texas and Austin | Context of Use: Black Music in Non-Black Contexts | Musical Style: Black Gospel | Musical Style: Late Gospel
  • The New Harmonia Sacra

    Author
    • Joseph Funk and Sons
    Published
    1876-01-01
    Language
    • English
    Collections
    Musical Style: Early Gospel | Geography: Kansas City | Musical Style: Dispersed Harmony | Context of Use: Singing Schools | Context of Use: Church Concerts and Plays | Musical Style: Quartet Singing | Musical Style: Middle Gospel | Geography: Middle Tennessee | Geography: Greater Shenandoah Valley | Musical Style: Scientific Music | Notation: Seven-Shape | Denomination: Interdenominational | Format: Tunebooks | Notation: Seven-Shape (non-Aikin)
  • The New Harmonia Sacra

    Author
    • Joseph Funk and Sons
    Published
    1923
    Language
    • English
  • The New Harp of Columbia

    Author
    • M. L. Swan
    Published
    1916
    Language
    • English
    Collections
    Notation: Seven-Shape | Context of Use: Singing Societies and Early Conventions | Musical Style: Early Gospel | Geography: Cumberland Plateau | Context of Use: Singing Schools | Geography: Nashville | Context of Use: Denominational Publications | Musical Style: Scientific Music | Denomination: Methodist Episcopal Church, South | Denomination: Methodist | Format: Tunebooks | Context of Use: Church Concerts and Plays | Notation: Seven-Shape (non-Aikin) | Musical Style: Dispersed Harmony
  • The New Harp of Zion

    Author
    • A. D. Fillmore, J. H. Fillmore
    Published
    1872?
    Language
    • English
  • The New Hymn and Tune Book

    Published
    1880
    Language
    • English
    Collections
    Musical Style: Instrumental Music | Geography: Blue Ridge | Musical Style: Early Gospel | Geography: Lower Piedmont | Denomination: Methodist | Context of Use: Denominational Publications | Musical Style: Middle Gospel | Theme: Modernity | Theme: Reconstruction | Context of Use: Social Worship | Theme: Regional Identity | Theme: Gentility and Respectability | Denomination: Methodist Episcopal Church, South | Format: Integrated Hymnals | Context of Use: Home Worship | Geography: Nashville
  • The New Hymn-Book

    Published
    1880
    Language
    • English
    Collections
    Geography: Nashville | Context of Use: Denominational Publications | Text-Only Hymnals | Denomination: Methodist Episcopal Church, South | Context of Use: Home Worship | Denomination: Methodist | Geography: Lower Piedmont
  • The New Praise Hymnal

    Authors
    • Gilbert J. Ellis | J. H. Fillmore
    Published
    1906-01-01
    Language
    • English
    Collections
    Theme: Congregational Singing | Geography: Lower Ohio Valley | Musical Style: Early Gospel | Musical Style: Middle Gospel | Context of Use: Liturgical | Context of Use: Denominational Publications | Musical Style: Scientific Music | Musical Style: Instrumental Music | Denomination: Restorationist | Format: Integrated Hymnals | Format: Psalters | Geography: Cincinnati | Geography: Greater Shenandoah Valley | Geography: Upper Ohio Valley | Musical Style: Art Music | Theme: Nationhood
  • The New Praise Hymnal

    Authors
    • Gilbert J. Ellis | J. H. Fillmore
    Published
    1906-01-01
    Language
    • English
  • The New Praise Hymnal

    Author
    • J. H. Fillmore
    Published
    1927-01-01
    Language
    • English
  • The New Praise Hymnal

    Authors
    • Gilbert J. Ellis | J. H. Fillmore
    Published
    1906
    Language
    • English
  • The New Psalms and Hymns

    Authors
    • J. W. Walden | R. C. Reed | W. L. Lowrance | A. W. Milster | S. L. Morris | T. H. Rice | John C. Wh…
    Published
    1901-01-01
    Language
    • English
    Collections
    Geography: Chesapeake Bay | Geography: Blue Ridge | Geography: Ozarks and Ouachitas | Geography: North Texas and Austin | Context of Use: Denominational Publications | Geography: Piedmont Crescent | Text-Only Hymnals | Geography: Lower Piedmont | Denomination: Presbyterian | Geography: Atlanta
  • The New Psalms and Hymns

    Author
    • J. W. Walden, R. C. Reed, W. L. Lowrance, A. W. Milster, S. L. Morris, T. H. Rice, John C. Whitner,…
    Published
    1901
    Language
    • English
  • The New Revival Glory

    Authors
    • A. J. Showalter | J. D. Patton | T. B. Mosley | H. M. Eagle | K. C. Robinson | R. Edwin Perry | J. …
    Published
    1912
    Language
    • English
    Collections
    Geography: Florida | Notation: Seven-Shape | Geography: Mid-South Plains | Musical Style: Middle Gospel | Geography: Cumberland Plateau | Geography: Greater Shenandoah Valley | Musical Style: Scientific Music | Musical Style: Instrumental Music | Musical Style: Gospel Hymnals | Musical Style: Quartet Singing | Geography: Blue Ridge | Geography: Gulf Coast | Geography: Lower Piedmont | Geography: North Texas and Austin | Musical Style: Late Gospel
  • The New Starry Crown

    Author
    • Aldine S. Kieffer
    Published
    1886
    Language
    • English
    Collections
    Context of Use: Sunday Schools | Context of Use: Singing Schools | Geography: Northern Publishing Centers | Format: Sunday-School Songsters | Musical Style: Middle Gospel | Geography: Greater Shenandoah Valley | Musical Style: Scientific Music | Notation: Seven-Shape
  • The New Voice of Praise

    Authors
    • A. J. Showalter | H. A. Lewis | Rev. E. A. Hoffman
    Published
    1889
    Language
    • English
    Collections
    Musical Style: Instrumental Music | Geography: Cumberland Plateau | Musical Style: Early Gospel | Context of Use: Mass Revival | Context of Use: Sunday Schools | Musical Style: Gospel Hymnals | Context of Use: Devotional | Musical Style: Late Gospel | Musical Style: Lined-Out Hymnody | Theme: Holidays | Musical Style: Quartet Singing | Context of Use: Church Concerts and Plays
  • The Old Story in Song

    Authors
    • Arthur S. Magann | William J. Kirkpatrick | H. L. Gilmour
    Published
    1906
    Language
    • English
    Collections
    Context of Use: Mass Revival | Musical Style: Quartet Singing | Context of Use: Sunday Schools | Musical Style: Middle Gospel | Context of Use: Missionary | Musical Style: Scientific Music | Musical Style: Instrumental Music | Denomination: Pentecostal | Geography: Ozarks and Ouachitas | Musical Style: Late Gospel | Musical Style: Gospel Hymnals
  • The Otterbein Hymnal

    Author
    • Edmund S. Lorenz
    Published
    1891
    Language
    • English
  • The Palace of Song

    Author
    • Emma Pitt
    Published
    1900
    Language
    • English
    Collections
    Musical Style: Instrumental Music | Geography: Chesapeake Bay | Gender: Fraternal Organizations | Theme: Gentility and Respectability | Context of Use: Sunday Schools | Musical Style: Art Music | Geography: Northern Publishing Centers | Theme: Childhood | Context of Use: Church Concerts and Plays
  • The Palm of Victory

    Authors
    • L. H. Dowling | F. A. Parker
    Published
    1874
    Language
    • English
    Collections
    Musical Style: Instrumental Music | Musical Style: Early Gospel | Context of Use: Mass Revival | Geography: St. Louis | Context of Use: Sunday Schools | Context of Use: Church Concerts and Plays | Denomination: Restorationist | Format: Sunday-School Songsters | Musical Style: Middle Gospel | Theme: Fundamentalism | Theme: Charity and Social Work | Theme: Holidays | Theme: Childhood
  • The Pathway of Praise No. 1

    Authors
    • E. T. Hildebrand | C. J. Gilbert
    Language
    • English
    Collections
    Context of Use: Mass Revival | Geography: Piney Woods | Musical Style: Early Gospel | Context of Use: Sunday Schools | Musical Style: Middle Gospel | Context of Use: Singing Schools | Musical Style: Scientific Music | Musical Style: Instrumental Music | Context of Use: Church Concerts and Plays | Geography: Cincinnati | Format: Tunebooks | Geography: Greater Shenandoah Valley | Musical Style: Late Gospel | Musical Style: Gospel Hymnals
  • The People's Anthems

    Authors
    • A. J. Showalter | Edward Roberts
    Published
    1890-01-01
    Language
    • English
  • The Pilot

    Authors
    • Alfred E. Helton | W. Henry Quillen | Isaac G. Green | C. C. Alexander | G. A. Box | N. I. Styles |…
    Published
    1914-01-01
    Language
    • English
    Collections
    Context of Use: Mass Revival | Notation: Seven-Shape | Musical Style: Early Gospel | Geography: Mid-South Plains | Musical Style: Middle Gospel | Context of Use: Sunday Schools | Geography: Cumberland Plateau | Context of Use: Singing Schools | Musical Style: Instrumental Music | Musical Style: Scientific Music | Format: Annuals | Denomination: Interdenominational | Geography: Cincinnati | Geography: Blue Ridge | Geography: Lower Piedmont | Geography: Middle Tennessee | Geography: Piedmont Crescent | Musical Style: Convention Gospel | Musical Style: Late Gospel | Theme: Modernity
  • The Poetical Works of John D. Knotts

    Author
    • John D. Knotts
    Published
    1897
    Language
    • English
  • The Popular Hymnal

    Author
    • Robert H. Coleman
    Published
    1918-01-01
    Language
    • English
    Collections
    Musical Style: Early Gospel | Context of Use: Sunday Schools | Musical Style: Middle Gospel | Context of Use: Liturgical | Musical Style: Scientific Music | Musical Style: Instrumental Music | Musical Style: Quartet Singing | Format: Integrated Hymnals | Geography: Chesapeake Bay | Geography: North Texas and Austin | Context of Use: Black Music in Non-Black Contexts | Musical Style: Black Gospel | Musical Style: Late Gospel
  • The Practical Music Reader

    Authors
    • J. H. Hall | W. H. Ruebush | J. H. Ruebush
    Published
    1904-01-01
    Language
    • English
    Collections
    Context of Use: Primary and Secondary Schools | Notation: Seven-Shape | Musical Style: Early Gospel | Musical Style: Middle Gospel | Context of Use: Singing Schools | Context of Use: Liturgical | Musical Style: Scientific Music | Musical Style: Instrumental Music | Context of Use: Normal Schools | Format: Tunebooks | Geography: Greater Shenandoah Valley | Geography: North Texas and Austin | Musical Style: Art Music | Theme: Temperance and Prohibition
  • The Practical Music Reader

    Authors
    • J. H. Hall | W. H. Ruebush | J. H. Ruebush
    Published
    1904
    Language
    • English
    Collections
    Context of Use: Primary and Secondary Schools | Notation: Seven-Shape | Geography: Greater Shenandoah Valley | Context of Use: Liturgical | Context of Use: Singing Schools | Context of Use: Normal Schools | Geography: North Texas and Austin
  • The Practical Music Reader No. 2

    Authors
    • W. H. Ruebush | J. H. Ruebush | J. S. Good
    Published
    1920?
    Language
    • English
    Collections
    Context of Use: Primary and Secondary Schools | Context of Use: Colleges | Notation: Seven-Shape | Musical Style: Early Gospel | Geography: Greater Shenandoah Valley | Context of Use: Singing Schools | Context of Use: Liturgical | Context of Use: Secular Concerts | Context of Use: Normal Schools | Format: Tunebooks | Context of Use: Church Concerts and Plays | Geography: Ozarks and Ouachitas | Musical Style: Art Music | Musical Style: Late Gospel
  • The Prairie Vocalist

    Authors
    • John Gibson | L. G. Fessenden
    Published
    1853-01-01
    Language
    • English
    Collections
    Musical Style: Early Gospel | Format: Tunebooks | Context of Use: Singing Societies and Early Conventions | Context of Use: Singing Schools | Musical Style: Scientific Music | Geography: Northern Publishing Centers | Musical Style: Instrumental Music | Context of Use: Church Concerts and Plays | Geography: Cincinnati | Geography: Dayton | Musical Style: Dispersed Harmony | Musical Style: Art Music | Theme: Regional Identity
  • The Praise Hymnal

    Authors
    • Gilbert J. Ellis | J. H. Fillmore
    Published
    1896-01-01
    Language
    • English
    Collections
    Geography: Cincinnati | Musical Style: Instrumental Music | Musical Style: Scientific Music | Context of Use: Liturgical | Context of Use: Devotional | Musical Style: Late Gospel | Format: Psalters | Musical Style: Middle Gospel | Geography: Northern Publishing Centers | Theme: Holidays | Format: Integrated Hymnals
  • The Prayer Meeting Hymn Book

    Authors
    • John F. Weishampel | Jr.
    Published
    1858-01-01
    Language
    • English
    Collections
    Geography: Greater Shenandoah Valley | Context of Use: Devotional | Context of Use: Denominational Publications | Context of Use: Social Worship | Text-Only Hymnals | Context of Use: Home Worship | Denomination: Baptist | Geography: Chesapeake Bay | Geography: Upper Ohio Valley | Theme: Revival | Theme: Rurality
  • The Primitive Baptist Hymnal

    Author
    • Walter Cash
    Published
    1909-01-01
    Language
    • English
    Collections
    Musical Style: Early Gospel | Musical Style: Middle Gospel | Context of Use: Denominational Publications | Format: Integrated Hymnals | Context of Use: Home Worship | Denomination: Baptist | Geography: Kansas City | Musical Style: Dispersed Harmony
  • The Primitive Baptist Hymnal

    Authors
    • M. J. Sears | T. B. Ausmus
    Published
    1879
    Language
    • English
    Collections
    Musical Style: Early Gospel | Musical Style: Middle Gospel | Musical Style: Scientific Music | Musical Style: Instrumental Music | Theme: Fundamentalism | Format: Integrated Hymnals | Denomination: Baptist | Geography: St. Louis | Musical Style: Dispersed Harmony | Theme: Modernity
  • The Primitive Hymns

    Author
    • Benjamin Lloyd
    Published
    1857
    Language
    • English
    Collections
    Geography: Mid-South Plains | Theme: Health and Disability | Denomination: Baptist | Musical Style: Lined-Out Hymnody | Context of Use: Social Worship | Theme: Nationhood | Text-Only Hymnals | Context of Use: Home Worship
  • The Prize

    Author
    • Geo. F. Root
    Published
    1870
    Language
    • English
    Collections
    Format: Sunday-School Songsters | Context of Use: Church Concerts and Plays | Geography: Cincinnati | Context of Use: Sunday Schools | Geography: Northern Publishing Centers | Musical Style: Art Music | Context of Use: Liturgical | Musical Style: Early Gospel
  • The Psalmist

    Authors
    • Baron Stow | S. F. Smith
    Published
    1854-01-01
    Language
    • English
    Collections
    Denomination: Southern Baptist Convention | Theme: Regional Identity | Denomination: Baptist | Geography: Cincinnati | Geography: Northern Publishing Centers | Theme: Nationhood | Text-Only Hymnals | Geography: Chesapeake Bay | Context of Use: Denominational Publications
  • The Realm of Song

    Author
    • George F. Root
    Published
    1882-01-01
    Language
    • English
    Collections
    Context of Use: Singing Societies and Early Conventions | Geography: Northern Publishing Centers | Context of Use: Singing Schools | Musical Style: Scientific Music | Musical Style: Instrumental Music | Musical Style: Quartet Singing | Context of Use: Secular Concerts | Context of Use: Normal Schools | Geography: Cincinnati | Format: Tunebooks | Context of Use: Church Concerts and Plays | Musical Style: Art Music | Theme: Death and Mourning | Theme: Technology
  • The Revival

    Author
    • Charlie D. Tillman
    Published
    1890-01-01
    Language
    • English
    Collections
    Context of Use: Mass Revival | Musical Style: Early Gospel | Context of Use: Sunday Schools | Musical Style: Middle Gospel | Theme: Youth | Geography: Greater Shenandoah Valley | Denomination: Holiness | Musical Style: Scientific Music | Musical Style: Gospel Hymnals | Musical Style: Instrumental Music | Musical Style: Quartet Singing | Geography: Cincinnati | Context of Use: Church Concerts and Plays | Geography: Atlanta | Geography: Lowcountry | Geography: North Texas and Austin | Geography: Lower Piedmont | Context of Use: Black Music in Non-Black Contexts | Musical Style: Black Gospel | Musical Style: Late Gospel | Theme: Revival
  • The Revival 6

    Author
    • Charlie D. Tillman
    Language
    • English
  • The Revival Choir

    Authors
    • A. J. Showalter | J. D. Patton | W. M. McIntosh
    Published
    1894
    Language
    • English
    Collections
    Musical Style: Instrumental Music | Geography: Cumberland Plateau | Context of Use: Mass Revival | Geography: North Texas and Austin | Context of Use: Sunday Schools | Context of Use: Missionary | Musical Style: Gospel Hymnals | Musical Style: Late Gospel | Gender: Women's Organizations | Musical Style: Middle Gospel | Geography: Northern Publishing Centers | Theme: Technology | Geography: Mid-South Plains | Context of Use: Church Concerts and Plays
  • The Revival No. 2

    Author
    • Charlie D. Tillman
    Published
    1896-01-01
    Language
    • English
    Collections
    Gender: Fraternal Organizations | Geography: Cincinnati | Musical Style: Instrumental Music | Geography: Kansas City | Musical Style: Scientific Music | Context of Use: Mass Revival | Musical Style: Early Gospel | Denomination: Holiness | Musical Style: Gospel Hymnals | Context of Use: Black Music in Non-Black Contexts | Musical Style: Late Gospel | Gender: Women's Organizations | Musical Style: Middle Gospel | Population: Black American | Theme: Charity and Social Work | Notation: Seven-Shape | Geography: Atlanta
« first previous Page 18 of 21 next last »