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1243 results
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  • The National Baptist Hymnal

    Authors
    • R. H. Boyd | William Rosborough
    Published
    1903-01-01
    Language
    • English
    Collections
    Musical Style: Quartet Singing | Geography: Florida | Geography: Piney Woods | Population: Black American | Musical Style: Instrumental Music | Context of Use: Sunday Schools | Context of Use: Denominational Publications | Geography: Cumberland Plateau | Denomination: National Baptist Convention | Geography: Nashville | Musical Style: Middle Gospel | Geography: Mid-South Plains | Format: Integrated Hymnals | Musical Style: Early Gospel | Denomination: Baptist | Geography: Cincinnati | Geography: Chesapeake Bay | Geography: Gulf Coast | Geography: Lower Piedmont | Musical Style: Black Gospel | Musical Style: Spirituals
  • The National Harp of Zion and B. Y. P. U. Hymnal

    Published
    1900?
    Language
    • English
    Collections
    Musical Style: Quartet Singing | Geography: Florida | Geography: Piney Woods | Population: Black American | Musical Style: Instrumental Music | Geography: Greater Shenandoah Valley | Context of Use: Sunday Schools | Denomination: Methodist | Context of Use: Denominational Publications | Musical Style: Scientific Music | Musical Style: Late Gospel | Geography: Nashville | Context of Use: Church Concerts and Plays | Musical Style: Middle Gospel | Geography: Mid-South Plains | Notation: Seven-Shape | Theme: Modernity | Notation: Seven-Shape (non-Aikin) | Format: Integrated Hymnals | Geography: Chesapeake Bay | Geography: Kansas City | Geography: North Texas and Austin | Geography: Piedmont Crescent | Musical Style: Black Gospel
  • The National Singer

    Authors
    • A. J. Showalter | J. H. Tenney
    Published
    1887-01-01
    Language
    • English
    Collections
    Musical Style: Quartet Singing | Context of Use: Primary and Secondary Schools | Context of Use: Secular Concerts | Context of Use: Singing Societies and Early Conventions | Context of Use: Singing Schools | Geography: Cumberland Plateau | Musical Style: Scientific Music | Context of Use: Church Concerts and Plays | Musical Style: Middle Gospel | Notation: Seven-Shape | Context of Use: Normal Schools | Format: Tunebooks | Musical Style: Art Music
  • The National Temperance Songster

    Authors
    • Silas W. Leonard | James Young
    Published
    1854
    Language
    • English
    Collections
    Geography: Lower Ohio Valley | Context of Use: Secular Concerts | Context of Use: Singing Schools | Geography: Cumberland Plateau | Musical Style: Scientific Music | Musical Style: Dispersed Harmony | Theme: Temperance and Prohibition
  • The New Baptist Psalmist and Tune Book

    Author
    • J. R. Graves
    Published
    1873
    Language
    • English
    Collections
    Theme: Congregational Singing | Musical Style: Quartet Singing | Context of Use: Sunday Schools | Musical Style: Scientific Music | Format: Sunday-School Songsters | Geography: Northern Publishing Centers | Denomination: Southern Baptist Convention | Musical Style: Middle Gospel | Geography: Mid-South Plains | Notation: Seven-Shape | Format: Integrated Hymnals | Context of Use: Social Worship | Text-Only Hymnals | Musical Style: Early Gospel | Denomination: Baptist | Theme: Fundamentalism
  • The New Casket

    Author
    • G. O. Robinson
    Published
    1877
    Language
    • English
    Collections
    Musical Style: Quartet Singing | Musical Style: Instrumental Music | Denomination: Episcopalian | Context of Use: Singing Schools | Context of Use: Liturgical | Musical Style: Scientific Music | Geography: Northern Publishing Centers | Context of Use: Church Concerts and Plays | Musical Style: Early Gospel | Denomination: Interdenominational | Geography: Chesapeake Bay | Geography: Lowcountry | Geography: Lower Piedmont | Geography: Middle Tennessee | Format: Tunebooks | Musical Style: Art Music | Musical Style: Dispersed Harmony | Theme: Gentility and Respectability
  • The New Choir and Congregation

    Author
    • Geo. F. Root
    Published
    1879-01-01
    Language
    • English
    Collections
    Theme: Congregational Singing | Musical Style: Quartet Singing | Musical Style: Instrumental Music | Context of Use: Liturgical | Musical Style: Scientific Music | Geography: Northern Publishing Centers | Context of Use: Church Concerts and Plays | Format: Integrated Hymnals | Musical Style: Early Gospel | Geography: Cincinnati | Musical Style: Art Music
  • The New Christian Choralist

    Author
    • A. D. Fillmore
    Published
    1870-01-01
    Language
    • English
    Collections
    Geography: Lower Ohio Valley | Musical Style: Instrumental Music | Context of Use: Singing Schools | Geography: Cumberland Plateau | Musical Style: Scientific Music | Context of Use: Church Concerts and Plays | Context of Use: Secular Music in Sacred Publications | Musical Style: Early Gospel | Geography: Cincinnati | Geography: Middle Tennessee | Notation: Numeral | Format: Tunebooks | Musical Style: Dispersed Harmony | Theme: Health and Disability
  • The New Christian Hymn Book

    Author
    • T. B. Larimore, W. J. Kirkpatrick
    Published
    1907
    Language
    • English
  • The New Evangel

    Authors
    • Robert H. Coleman | J. F. Scholfield
    Published
    1911-01-01
    Language
    • English
    Collections
    Musical Style: Quartet Singing | Context of Use: Mass Revival | Geography: Lower Ohio Valley | Geography: Ozarks and Ouachitas | Musical Style: Instrumental Music | Context of Use: Missionary | Musical Style: Scientific Music | Musical Style: Late Gospel | Musical Style: Middle Gospel | Denomination: Baptist | Geography: North Texas and Austin
  • The New Gospel Song Book

    Authors
    • G. H. P. Showalter | Austin Taylor
    Published
    1914-01-01
    Language
    • English
    Collections
    Musical Style: Quartet Singing | Musical Style: Instrumental Music | Context of Use: Black Music in Non-Black Contexts | Musical Style: Scientific Music | Musical Style: Late Gospel | Denomination: Restorationist | Context of Use: Church Concerts and Plays | Musical Style: Middle Gospel | Notation: Seven-Shape | Musical Style: Gospel Hymnals | Geography: Great Plains | Geography: North Texas and Austin | Musical Style: Black Gospel
  • The New Harmonia Sacra

    Author
    • Joseph Funk and Sons
    Published
    1876-01-01
    Language
    • English
    Collections
    Musical Style: Quartet Singing | Geography: Greater Shenandoah Valley | Context of Use: Singing Schools | Musical Style: Scientific Music | Context of Use: Church Concerts and Plays | Musical Style: Middle Gospel | Notation: Seven-Shape | Notation: Seven-Shape (non-Aikin) | Musical Style: Early Gospel | Denomination: Interdenominational | Geography: Kansas City | Geography: Middle Tennessee | Format: Tunebooks | Musical Style: Dispersed Harmony
  • The New Harmonia Sacra

    Author
    • Joseph Funk and Sons
    Published
    1923
    Language
    • English
  • The New Harp of Columbia

    Author
    • M. L. Swan
    Published
    1916
    Language
    • English
    Collections
    Context of Use: Singing Societies and Early Conventions | Denomination: Methodist | Context of Use: Singing Schools | Context of Use: Denominational Publications | Geography: Cumberland Plateau | Musical Style: Scientific Music | Geography: Nashville | Context of Use: Church Concerts and Plays | Notation: Seven-Shape | Notation: Seven-Shape (non-Aikin) | Denomination: Methodist Episcopal Church, South | Musical Style: Early Gospel | Format: Tunebooks | Musical Style: Dispersed Harmony
  • The New Harp of Zion

    Author
    • A. D. Fillmore, J. H. Fillmore
    Published
    1872?
    Language
    • English
    Collections
    Context of Use: Singing Societies and Early Conventions | Context of Use: Singing Schools | Musical Style: Scientific Music | Denomination: Restorationist | Context of Use: Church Concerts and Plays | Musical Style: Middle Gospel | Context of Use: Secular Music in Sacred Publications | Musical Style: Early Gospel | Geography: Cincinnati | Geography: Upper Ohio Valley | Format: Tunebooks | Musical Style: Dispersed Harmony | Theme: Technology | Theme: Nationhood
  • The New Hymn and Tune Book

    Published
    1880
    Language
    • English
    Collections
    Musical Style: Instrumental Music | Denomination: Methodist | Context of Use: Denominational Publications | Theme: Reconstruction | Geography: Nashville | Musical Style: Middle Gospel | Theme: Modernity | Format: Integrated Hymnals | Context of Use: Social Worship | Denomination: Methodist Episcopal Church, South | Context of Use: Home Worship | Musical Style: Early Gospel | Geography: Blue Ridge | Geography: Lower Piedmont | Theme: Gentility and Respectability | Theme: Regional Identity
  • The New Hymn-Book

    Published
    1880
    Language
    • English
    Collections
    Denomination: Methodist | Context of Use: Denominational Publications | Geography: Nashville | Denomination: Methodist Episcopal Church, South | Text-Only Hymnals | Context of Use: Home Worship | Geography: Lower Piedmont
  • The New Praise Hymnal

    Authors
    • Gilbert J. Ellis | J. H. Fillmore
    Published
    1906
    Language
    • English
  • The New Praise Hymnal

    Authors
    • Gilbert J. Ellis | J. H. Fillmore
    Published
    1906-01-01
    Language
    • English
    Collections
    Theme: Congregational Singing | Geography: Lower Ohio Valley | Musical Style: Instrumental Music | Geography: Greater Shenandoah Valley | Context of Use: Liturgical | Context of Use: Denominational Publications | Musical Style: Scientific Music | Denomination: Restorationist | Musical Style: Middle Gospel | Format: Integrated Hymnals | Format: Psalters | Musical Style: Early Gospel | Geography: Cincinnati | Geography: Upper Ohio Valley | Musical Style: Art Music | Theme: Nationhood
  • The New Praise Hymnal

    Author
    • J. H. Fillmore
    Published
    1927-01-01
    Language
    • English
  • The New Psalms and Hymns

    Author
    • J. W. Walden, R. C. Reed, W. L. Lowrance, A. W. Milster, S. L. Morris, T. H. Rice, John C. Whitner,…
    Published
    1901
    Language
    • English
  • The New Psalms and Hymns

    Authors
    • J. W. Walden | R. C. Reed | W. L. Lowrance | A. W. Milster | S. L. Morris | T. H. Rice | John C. Wh…
    Published
    1901-01-01
    Language
    • English
    Collections
    Geography: Ozarks and Ouachitas | Context of Use: Denominational Publications | Text-Only Hymnals | Geography: Atlanta | Geography: Blue Ridge | Geography: Chesapeake Bay | Geography: Lower Piedmont | Geography: North Texas and Austin | Geography: Piedmont Crescent | Denomination: Presbyterian
  • The New Revival Glory

    Authors
    • A. J. Showalter | J. D. Patton | T. B. Mosley | H. M. Eagle | K. C. Robinson | R. Edwin Perry | J. …
    Published
    1912
    Language
    • English
    Collections
    Musical Style: Quartet Singing | Geography: Florida | Musical Style: Instrumental Music | Geography: Greater Shenandoah Valley | Geography: Cumberland Plateau | Musical Style: Scientific Music | Musical Style: Late Gospel | Musical Style: Middle Gospel | Geography: Mid-South Plains | Notation: Seven-Shape | Musical Style: Gospel Hymnals | Geography: Blue Ridge | Geography: Gulf Coast | Geography: Lower Piedmont | Geography: North Texas and Austin
  • The New Starry Crown

    Author
    • Aldine S. Kieffer
    Published
    1886
    Language
    • English
    Collections
    Geography: Greater Shenandoah Valley | Context of Use: Sunday Schools | Context of Use: Singing Schools | Musical Style: Scientific Music | Format: Sunday-School Songsters | Geography: Northern Publishing Centers | Musical Style: Middle Gospel | Notation: Seven-Shape
  • The New Voice of Praise

    Authors
    • A. J. Showalter | H. A. Lewis | Rev. E. A. Hoffman
    Published
    1889
    Language
    • English
    Collections
    Musical Style: Quartet Singing | Context of Use: Mass Revival | Musical Style: Instrumental Music | Context of Use: Sunday Schools | Geography: Cumberland Plateau | Musical Style: Late Gospel | Context of Use: Devotional | Context of Use: Church Concerts and Plays | Theme: Holidays | Musical Style: Gospel Hymnals | Musical Style: Early Gospel
  • The Old Story in Song

    Authors
    • Arthur S. Magann | William J. Kirkpatrick | H. L. Gilmour
    Published
    1906
    Language
    • English
    Collections
    Musical Style: Quartet Singing | Context of Use: Mass Revival | Geography: Ozarks and Ouachitas | Musical Style: Instrumental Music | Context of Use: Sunday Schools | Context of Use: Missionary | Musical Style: Scientific Music | Musical Style: Late Gospel | Musical Style: Middle Gospel | Musical Style: Gospel Hymnals | Denomination: Pentecostal
  • The Otterbein Hymnal

    Author
    • Edmund S. Lorenz
    Published
    1891
    Language
    • English
    Collections
    Musical Style: Instrumental Music | Context of Use: Sunday Schools | Denomination: Anabaptist and Moravian | Context of Use: Denominational Publications | Musical Style: Scientific Music | Musical Style: Middle Gospel | Format: Integrated Hymnals | Context of Use: Social Worship | Context of Use: Home Worship | Musical Style: Early Gospel | Geography: Dayton
  • The Palace of Song

    Author
    • Emma Pitt
    Published
    1900
    Language
    • English
    Collections
    Musical Style: Instrumental Music | Context of Use: Sunday Schools | Geography: Northern Publishing Centers | Context of Use: Church Concerts and Plays | Geography: Chesapeake Bay | Musical Style: Art Music | Theme: Childhood | Theme: Gentility and Respectability
  • The Palm of Victory

    Authors
    • L. H. Dowling | F. A. Parker
    Published
    1874
    Language
    • English
    Collections
    Context of Use: Mass Revival | Musical Style: Instrumental Music | Context of Use: Sunday Schools | Format: Sunday-School Songsters | Denomination: Restorationist | Context of Use: Church Concerts and Plays | Musical Style: Middle Gospel | Theme: Holidays | Musical Style: Early Gospel | Theme: Fundamentalism | Geography: St. Louis | Theme: Childhood | Theme: Charity and Social Work
  • The Pathway of Praise No. 1

    Authors
    • E. T. Hildebrand | C. J. Gilbert
    Language
    • English
    Collections
    Context of Use: Mass Revival | Geography: Piney Woods | Musical Style: Instrumental Music | Geography: Greater Shenandoah Valley | Context of Use: Sunday Schools | Context of Use: Singing Schools | Musical Style: Scientific Music | Musical Style: Late Gospel | Context of Use: Church Concerts and Plays | Musical Style: Middle Gospel | Musical Style: Gospel Hymnals | Musical Style: Early Gospel | Geography: Cincinnati | Format: Tunebooks
  • The People's Anthems

    Authors
    • A. J. Showalter | Edward Roberts
    Published
    1890-01-01
    Language
    • English
    Collections
    Musical Style: Quartet Singing | Context of Use: Primary and Secondary Schools | Context of Use: Secular Concerts | Context of Use: Singing Societies and Early Conventions | Context of Use: Singing Schools | Geography: Cumberland Plateau | Musical Style: Scientific Music | Context of Use: Church Concerts and Plays | Musical Style: Middle Gospel | Context of Use: Normal Schools | Format: Tunebooks | Musical Style: Art Music
  • The Pilot

    Authors
    • Alfred E. Helton | W. Henry Quillen | Isaac G. Green | C. C. Alexander | G. A. Box | N. I. Styles |…
    Published
    1914-01-01
    Language
    • English
    Collections
    Context of Use: Mass Revival | Musical Style: Instrumental Music | Context of Use: Sunday Schools | Context of Use: Singing Schools | Geography: Cumberland Plateau | Musical Style: Scientific Music | Musical Style: Late Gospel | Format: Annuals | Musical Style: Middle Gospel | Geography: Mid-South Plains | Notation: Seven-Shape | Theme: Modernity | Musical Style: Early Gospel | Denomination: Interdenominational | Geography: Cincinnati | Geography: Blue Ridge | Geography: Lower Piedmont | Geography: Middle Tennessee | Geography: Piedmont Crescent | Musical Style: Convention Gospel
  • The Poetical Works of John D. Knotts

    Author
    • John D. Knotts
    Published
    1897
    Language
    • English
    Collections
    Context of Use: Sunday Schools | Format: Photography | Denomination: Baptist | Geography: Lower Piedmont | Theme: Nationhood
  • The Popular Hymnal

    Author
    • Robert H. Coleman
    Published
    1918-01-01
    Language
    • English
    Collections
    Musical Style: Quartet Singing | Musical Style: Instrumental Music | Context of Use: Black Music in Non-Black Contexts | Context of Use: Sunday Schools | Context of Use: Liturgical | Musical Style: Scientific Music | Musical Style: Late Gospel | Musical Style: Middle Gospel | Format: Integrated Hymnals | Musical Style: Early Gospel | Geography: Chesapeake Bay | Geography: North Texas and Austin | Musical Style: Black Gospel
  • The Practical Music Reader

    Authors
    • J. H. Hall | W. H. Ruebush | J. H. Ruebush
    Published
    1904
    Language
    • English
    Collections
    Context of Use: Primary and Secondary Schools | Geography: Greater Shenandoah Valley | Context of Use: Singing Schools | Context of Use: Liturgical | Notation: Seven-Shape | Context of Use: Normal Schools | Geography: North Texas and Austin
  • The Practical Music Reader

    Authors
    • J. H. Hall | W. H. Ruebush | J. H. Ruebush
    Published
    1904-01-01
    Language
    • English
    Collections
    Context of Use: Primary and Secondary Schools | Musical Style: Instrumental Music | Geography: Greater Shenandoah Valley | Context of Use: Singing Schools | Context of Use: Liturgical | Musical Style: Scientific Music | Musical Style: Middle Gospel | Notation: Seven-Shape | Musical Style: Early Gospel | Context of Use: Normal Schools | Geography: North Texas and Austin | Format: Tunebooks | Musical Style: Art Music | Theme: Temperance and Prohibition
  • The Practical Music Reader No. 2

    Authors
    • W. H. Ruebush | J. H. Ruebush | J. S. Good
    Published
    1920?
    Language
    • English
    Collections
    Context of Use: Primary and Secondary Schools | Context of Use: Secular Concerts | Geography: Ozarks and Ouachitas | Context of Use: Colleges | Geography: Greater Shenandoah Valley | Context of Use: Singing Schools | Context of Use: Liturgical | Musical Style: Late Gospel | Context of Use: Church Concerts and Plays | Notation: Seven-Shape | Musical Style: Early Gospel | Context of Use: Normal Schools | Format: Tunebooks | Musical Style: Art Music
  • The Prairie Vocalist

    Authors
    • John Gibson | L. G. Fessenden
    Published
    1853-01-01
    Language
    • English
    Collections
    Musical Style: Instrumental Music | Context of Use: Singing Societies and Early Conventions | Context of Use: Singing Schools | Musical Style: Scientific Music | Geography: Northern Publishing Centers | Context of Use: Church Concerts and Plays | Musical Style: Early Gospel | Geography: Cincinnati | Geography: Dayton | Format: Tunebooks | Musical Style: Art Music | Musical Style: Dispersed Harmony | Theme: Regional Identity
  • The Praise Hymnal

    Authors
    • Gilbert J. Ellis | J. H. Fillmore
    Published
    1896-01-01
    Language
    • English
    Collections
    Musical Style: Instrumental Music | Context of Use: Liturgical | Musical Style: Scientific Music | Musical Style: Late Gospel | Geography: Northern Publishing Centers | Context of Use: Devotional | Musical Style: Middle Gospel | Theme: Holidays | Format: Integrated Hymnals | Format: Psalters | Geography: Cincinnati
  • The Prayer Meeting Hymn Book

    Authors
    • John F. Weishampel | Jr.
    Published
    1858-01-01
    Language
    • English
    Collections
    Geography: Greater Shenandoah Valley | Context of Use: Denominational Publications | Context of Use: Devotional | Context of Use: Social Worship | Text-Only Hymnals | Context of Use: Home Worship | Denomination: Baptist | Geography: Chesapeake Bay | Geography: Upper Ohio Valley | Theme: Rurality | Theme: Revival
  • The Primitive Baptist Hymnal

    Authors
    • M. J. Sears | T. B. Ausmus
    Published
    1879
    Language
    • English
    Collections
    Musical Style: Instrumental Music | Musical Style: Scientific Music | Musical Style: Middle Gospel | Theme: Modernity | Format: Integrated Hymnals | Musical Style: Early Gospel | Denomination: Baptist | Theme: Fundamentalism | Geography: St. Louis | Musical Style: Dispersed Harmony
  • The Primitive Baptist Hymnal

    Author
    • Walter Cash
    Published
    1909-01-01
    Language
    • English
    Collections
    Context of Use: Denominational Publications | Musical Style: Middle Gospel | Format: Integrated Hymnals | Context of Use: Home Worship | Musical Style: Early Gospel | Denomination: Baptist | Geography: Kansas City | Musical Style: Dispersed Harmony
  • The Primitive Hymns

    Author
    • Benjamin Lloyd
    Published
    1857
    Language
    • English
    Collections
    Geography: Mid-South Plains | Context of Use: Social Worship | Text-Only Hymnals | Context of Use: Home Worship | Denomination: Baptist | Musical Style: Lined-Out Hymnody | Theme: Health and Disability | Theme: Nationhood
  • The Prize

    Author
    • Geo. F. Root
    Published
    1870
    Language
    • English
    Collections
    Context of Use: Sunday Schools | Context of Use: Liturgical | Format: Sunday-School Songsters | Geography: Northern Publishing Centers | Context of Use: Church Concerts and Plays | Musical Style: Early Gospel | Geography: Cincinnati | Musical Style: Art Music
  • The Psalmist

    Authors
    • Baron Stow | S. F. Smith
    Published
    1854-01-01
    Language
    • English
    Collections
    Context of Use: Denominational Publications | Geography: Northern Publishing Centers | Denomination: Southern Baptist Convention | Text-Only Hymnals | Denomination: Baptist | Geography: Cincinnati | Geography: Chesapeake Bay | Theme: Regional Identity | Theme: Nationhood
  • The Realm of Song

    Author
    • George F. Root
    Published
    1882-01-01
    Language
    • English
    Collections
    Musical Style: Quartet Singing | Context of Use: Secular Concerts | Musical Style: Instrumental Music | Context of Use: Singing Societies and Early Conventions | Context of Use: Singing Schools | Musical Style: Scientific Music | Geography: Northern Publishing Centers | Context of Use: Church Concerts and Plays | Context of Use: Normal Schools | Geography: Cincinnati | Format: Tunebooks | Musical Style: Art Music | Theme: Death and Mourning | Theme: Technology
  • The Revival

    Author
    • Charlie D. Tillman
    Published
    1890-01-01
    Language
    • English
    Collections
    Musical Style: Quartet Singing | Context of Use: Mass Revival | Musical Style: Instrumental Music | Context of Use: Black Music in Non-Black Contexts | Geography: Greater Shenandoah Valley | Denomination: Holiness | Context of Use: Sunday Schools | Theme: Youth | Musical Style: Scientific Music | Musical Style: Late Gospel | Context of Use: Church Concerts and Plays | Musical Style: Middle Gospel | Musical Style: Gospel Hymnals | Musical Style: Early Gospel | Geography: Cincinnati | Geography: Atlanta | Geography: Lowcountry | Geography: Lower Piedmont | Geography: North Texas and Austin | Musical Style: Black Gospel | Theme: Revival
  • The Revival 6

    Author
    • Charlie D. Tillman
    Language
    • English
  • The Revival Choir

    Authors
    • A. J. Showalter | J. D. Patton | W. M. McIntosh
    Published
    1894
    Language
    • English
    Collections
    Context of Use: Mass Revival | Musical Style: Instrumental Music | Context of Use: Sunday Schools | Context of Use: Missionary | Geography: Cumberland Plateau | Musical Style: Late Gospel | Geography: Northern Publishing Centers | Context of Use: Church Concerts and Plays | Musical Style: Middle Gospel | Geography: Mid-South Plains | Musical Style: Gospel Hymnals | Gender: Women's Organizations | Geography: North Texas and Austin | Theme: Technology
  • The Revival No. 2

    Author
    • Charlie D. Tillman
    Published
    1896-01-01
    Language
    • English
    Collections
    Context of Use: Mass Revival | Musical Style: Instrumental Music | Context of Use: Black Music in Non-Black Contexts | Denomination: Holiness | Musical Style: Scientific Music | Musical Style: Late Gospel | Musical Style: Middle Gospel | Notation: Seven-Shape | Musical Style: Gospel Hymnals | Musical Style: Early Gospel | Gender: Fraternal Organizations | Geography: Cincinnati | Geography: Atlanta | Gender: Women's Organizations | Geography: Kansas City | Theme: Charity and Social Work
  • The Revival No. 3

    Author
    • Charlie D. Tillman
    Published
    1899-01-01
    Language
    • English
    Collections
    Musical Style: Quartet Singing | Musical Style: Instrumental Music | Context of Use: Sunday Schools | Denomination: Methodist | Musical Style: Scientific Music | Musical Style: Late Gospel | Format: Photography | Context of Use: Church Concerts and Plays | Musical Style: Middle Gospel | Musical Style: Gospel Hymnals | Gender: Fraternal Organizations | Denomination: Baptist | Denomination: Interdenominational | Geography: Cincinnati | Geography: Atlanta | Geography: Kansas City | Theme: Temperance and Prohibition | Denomination: Presbyterian
  • The Revival No. 4

    Author
    • Charlie D. Tillman
    Published
    1903
    Language
    • English
    Collections
    Context of Use: Mass Revival | Musical Style: Instrumental Music | Context of Use: Black Music in Non-Black Contexts | Context of Use: Sunday Schools | Musical Style: Scientific Music | Musical Style: Late Gospel | Context of Use: Church Concerts and Plays | Musical Style: Middle Gospel | Format: Illustrated and Picture Books | Musical Style: Gospel Hymnals | Denomination: Interdenominational | Geography: Cincinnati | Geography: Atlanta | Geography: Kansas City | Musical Style: Black Gospel
  • The Roman Hymnal

    Author
    • J. B. Young
    Published
    1897-01-01
    Languages
    • English
    • Latin
    Collections
    Context of Use: Primary and Secondary Schools | Context of Use: Colleges | Denomination: Catholic | Context of Use: Liturgical | Context of Use: Denominational Publications | Context of Use: Historically Black Colleges and Universities | Musical Style: Scientific Music | Geography: Northern Publishing Centers | Context of Use: Devotional | Context of Use: Church Concerts and Plays | Format: Integrated Hymnals | Format: Psalters | Geography: Cincinnati
  • The Romberg Collection of Sacred Music

    Author
    • L. O. Emerson, T. M. Dewey
    Published
    1863
    Language
    • English
    Collections
    Musical Style: Instrumental Music | Context of Use: Singing Societies and Early Conventions | Denomination: Episcopalian | Context of Use: Singing Schools | Musical Style: Scientific Music | Geography: Northern Publishing Centers | Context of Use: Church Concerts and Plays | Context of Use: Secular Music in Sacred Publications | Context of Use: Normal Schools | Geography: Cincinnati | Geography: Chesapeake Bay | Geography: St. Louis | Format: Tunebooks | Musical Style: Art Music | Theme: Childhood
  • The Royal Favorite

    Authors
    • Asa Hull | D. R. M'Anally
    Published
    1877
    Language
    • English
    Collections
    Musical Style: Quartet Singing | Musical Style: Instrumental Music | Context of Use: Sunday Schools | Musical Style: Scientific Music | Format: Sunday-School Songsters | Geography: Northern Publishing Centers | Musical Style: Middle Gospel | Theme: Modernity | Context of Use: Home Worship | Musical Style: Early Gospel | Geography: Lower Piedmont | Geography: St. Louis | Theme: Temperance and Prohibition
  • The Royal Proclamation

    Authors
    • Aldine S. Kieffer | William B. Blake
    Published
    1886-01-01
    Language
    • English
    Collections
    Musical Style: Quartet Singing | Context of Use: Secular Concerts | Musical Style: Instrumental Music | Context of Use: Black Music in Non-Black Contexts | Geography: Greater Shenandoah Valley | Context of Use: Singing Schools | Musical Style: Scientific Music | Musical Style: Late Gospel | Geography: Northern Publishing Centers | Context of Use: Minstrelsy | Context of Use: Church Concerts and Plays | Musical Style: Middle Gospel | Format: Tunebooks | Musical Style: Art Music | Theme: Regional Identity
  • The Sabbath Hour

    Author
    • W. Ludden
    Published
    1888
    Language
    • English
    Collections
    Musical Style: Instrumental Music | Context of Use: Sunday Schools | Denomination: New Thought | Context of Use: Liturgical | Context of Use: Denominational Publications | Musical Style: Scientific Music | Format: Sunday-School Songsters | Geography: Northern Publishing Centers | Context of Use: Church Concerts and Plays | Musical Style: Early Gospel | Geography: Lowcountry
  • The Sabbath School Wreath

    Author
    • Spirit of the Age Office
    Published
    1864-01-01
    Language
    • English
    Collections
    Context of Use: Sunday Schools | Format: Text-Only Songsters | Geography: Piedmont Crescent | Theme: Childhood | Theme: Regional Identity
  • The Sacred Harp

    Author
    • T. B. Mason
    Published
    1847
    Language
    • English
    Collections
    Geography: Lower Ohio Valley | Musical Style: Instrumental Music | Context of Use: Singing Schools | Musical Style: Scientific Music | Geography: Northern Publishing Centers | Context of Use: Church Concerts and Plays | Geography: Cincinnati | Geography: St. Louis | Format: Tunebooks | Musical Style: Art Music | Theme: Gentility and Respectability
  • The Sacred Harp

    Authors
    • Lowell Mason | T. B. Mason
    Published
    1850
    Language
    • English
    Collections
    Geography: Lower Ohio Valley | Musical Style: Instrumental Music | Context of Use: Singing Societies and Early Conventions | Context of Use: Singing Schools | Musical Style: Scientific Music | Geography: Northern Publishing Centers | Context of Use: Church Concerts and Plays | Geography: Cincinnati | Geography: Upper Ohio Valley | Format: Tunebooks | Musical Style: Art Music | Theme: Gentility and Respectability
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